We get too few Asian title sequences on Watch the Titles. Why? Because it’s not a norm for local (Asian) filmmakers to invest in creative title sequences. Says Josef Lee, founder of the leading Singaporean design studio Mojo, who is making a serious effort to bring the creative title sequence into focus in Asia. We discuss the issue with Mojo’s creative director Cindy Liu on the occasion of her adorable, kawaii-infused end credit sequence for Love In A Cab.